JOHN IRELAND was born in Bowdon, Manchester,
England on 13 August 1879. In 1893 Ireland was
admitted to the Royal College of Music in London
and studied piano, organ and composition. Shortly
after he entered the college his parents died and
Ireland had to fend for himself in order to
survive as well as completing his training.
With the appearance of his Violin
Sonata No.2 in A minor during the time of the
1914-18 war he became acknowledged as composer of
great talent. Ireland's professional life was
spent composing, teaching composition at the
Royal College of music (his pupils included
Benjamin Britten, Geoffrey Bush and Moeran), and
as music director at St Luke’s Church in
Chelsea, London.
Ireland’s music includes
only a dozen or so short orchestral works such as
‘A London Overture’, ‘A
Downland Suite’, ‘Epic March’
and ‘The Overlanders’ (for the film
of the same name), some sonatas for violin, cello
and clarinet, and pieces for brass band. He was a
prolific writer of songs (often settings of
English poetry by writers such as John Masefield,
A.E. Houseman and Thomas Hardy) and music for
solo pianoforte. He wrote a Concerto for
Piano and Orchestra, which was championed by
Eileen Joyce, and choral works, including a
cantata, ‘These Things Shall Be’, and
‘Vexilla Regis’. His hymn tune
set to ‘My Song is Love Unknown’ is
included in most traditional church hymn
books.
In his retirement in 1953 he went
to live in a converted mill in Sussex, a part of
the country that had come to love and which
provided the inspiration for his ‘Downland
Suite. He died on 12 June 1962.
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CONSTANT LAMBERT was born in London on 23 August
1905 to Russian and Australian parents. At the
age of 17 he won a scholarship to the Royal
College of Music in 1922 where he studied under
Vaughan Williams, R.O Morris, George Dyson
(composition) and Malcolm Sargent
(conducting).
In 1928 he composed the ballet
score ‘Romeo and Juliet’ for the
Diaghilev ‘Ballet Russes’. Much of
his work was increasingly influenced by jazz,
especially that performed by Duke Ellington.
The first of his compositions to be
written in the jazz style was ‘Elegiac
Blues’ (1927), to be followed by the choral
fantasia, ‘The Rio Grande’ (1928),
which firmly established him as a significant
composers of the twentieth century. Other
jazz-related compositions, his Piano Sonata and
Concerto for Piano and Nine Instruments, appeared
shortly afterwards.
In the 1930s to early 1950s Lambert
concentrated more on conducting and, with Ninette
de Valois, in building up the Vic Wells Ballet.
Lambert's music for the ballets
‘Horoscope’ and
‘Tiresias’ was written and performed
in this period. He died from diabetes in 1951,
shortly after the first performance of the latter
work.
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